解读兰波诗歌中的通灵者意义

In his theory of spiritualism, Rimbaud stated that "if he brings back something tangible from there, he gives it its form; if it is intangible, he gives it its words." This is a new form of objectivity in poetry, where he saw the appearance of forms in things. This is why he turned realism into surrealism. He wanted to reach unknown territories through the disruption of all senses, not to anchor existing associations or to report on instant feelings, but to confirm the relationship between confirmation and vision on a drifting route, like in his poem "Drunken Boat".

Rimbauds admiration for Baudelaire embodies his own spiritualist objective poetry. In other words, Rimbauds and Baudelaires mysterious, tight, and intense relationship was confirmed by spiritualism. In this sense, who did Baudelaire as a poet belong to - Parisians, French, God, people, or a spiritualist leading to Baudelaire? The answer is a spiritualist who leads to Baudelaire.

Rimbauds "science" developed a step farther than a subjective-to-objective transition. I believe this step is the freedom of mind, where positive initiative will play a role in relationships. "Scientifically", the spiritualist theory can be translated into previous poets theories of misreading, but there is no anxiety that affects the influence. If spiritualism monitors physical and mental states, strengthens amplification of lousy circumstances and enlarges the amplitude and intensity of sorrow, then spiritualism becomes a killer. It is unnecessary to combine spiritualism and poetry because ordinary technology and sociology experts can achieve this, not to mention advanced technology and perfect crime. In Rimbauds context, spiritualism is certainly not this.

The conflict between James Dickey and Wallace Stevens was characterized by individual poets and their different fates. However, this became unimportant, as it is an example of typical monism. Every monad embodies the world, even if these monads are in different groups or positions. You can summarize this point with Kabbalah or whatever. However, the premise is that their poems must come from an aesthetic worldview. Poetry has a cruel dramatic texture. Many poets want to showcase their personal poetry style through combat and influence, but they ultimately must bring aesthetic concepts into life and the world.