"Painting Dunhuang along the Belt and Road", with "This Era, As the Flying Apsaras Want" being the first one. The book centers on Dunhuang's flying apsaras, featuring 6 half-transparent sulfuric acid papers and rare images of wall paintings. You can use the technique of copy drawing to sketch the wall paintings. In addition, there are 25 sets of "cross-temporal left-right comparison" coloring sections, with the left page being the images of wall painting and the right page the corresponding black and white line drawing. Through the comparison, you can experience the history of the ancient wall paintings and the present. The book also comes with a valuable calligraphy scroll of the Tang Dynasty "Diamond Sutra" from the Dunhuang Cave, which can also be colored with crayons to highlight each original character line, making it a highly collectible item. All the line drawing images in the book are not copied by later generations, but extracted directly from the ancient murals by the Dunhuang Academy using the latest technology.
About the Book:
1650 years ago, you, a Dunhuang painter, used cinnabar and lead yellow to draw a flying apsara, believing that by delivering meticulous strokes, you could accumulate blessings for the afterlife. 1650 years later, I use colored pens to trace on paper, coloring half of it as a magnificent palace of thousand pillars. Why is it that the Buddha images are so easy to draw, but it is difficult to convey the true essence of emotion?
作者简介:线描稿:本书所有的壁画线描稿,非后人临摹,而是由敦煌研究院在原壁画基础上运用计算机技术进行提取和修复。敦煌研究院是国家设立的负责世界文化遗产敦煌莫高窟、全国重点文物保护单位安西榆林窟和敦煌西千佛洞保护、管理和研究的综合性专门机构。敦煌研究院的前身是成立于1944年的敦煌艺术研究所,新中国建立后于1950年成立敦煌文物研究所。1984年,在敦煌文物研究所的基础上扩建为敦煌研究院。壁画:本书的壁画原作者,是距今一千六百五十年历史的敦煌画工。他们来自北凉北魏,来自隋唐宋元,来自回鹘西夏……他们是一千多年前来自民间的画工,很多画工只是带着“敦煌”的信念,一生在冰冷的石窟中留下如此灿烂的壁画文明,却连一个名字都有留下。我们不知道这些画工是谁,只知道,他们是祖先,是创造如此绚烂的东方文明的“微尘众”。abouttheAuthorLine...
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